She is like a child who is being taught something.
#The last indian dvd full#
She did not blink, and paid full attention. So, I felt that I should make the meeting happen fast so that she doesn’t go to sleep. So, I went with the full screenplay, but when I reached there, it was a night shift of Badhaai Ho! and she was looking tired. She has rebuilt her entire empire so she can catch cracks.” She is unlike how it’s typically done where we read a screenplay, and then our managers would give you a call after a month. Vikas: I had taken Neena ji’s number from Mr Anupam Kher, and he told me one thing about her. What went through your mind when you took the script to Neena Gupta? Did you fear not being taken seriously because while you are a celebrated chef, this was your first time as a filmmaker.
Everybody is entitled to their point of view. We have dealt with it very nicely, and we are honest about it. So, Vikas took many precautions because he is a sensitive person. He has said a lot without really showing anything. Vikas has efficiently handled a lot of sensitive details in the film. Neena: Vikas, even when it’s true, problem arises. Vikas: Neena ji, please answer this because I am totally new in this business. We were touching a delicate subject, and we had to do full justice to it.Īs a first time director, were there apprehensions or a fear as to how would the story be received by people? But the surprise element in the film was so strong.
#The last indian dvd movie#
Vikas: Like Neena ji, have I ever followed anyone’s path? (Laughs) Everybody expected it to be a food movie and that Neena ji would play a chef. So, it was not something totally new that women’s condition was bad, but there were (still) a lot of things that I learnt from there.ĭid you choose The Last Colour as a directorial debut for a particular reason or did you become a director to especially tell this story? In my mind, I have made several documentaries on them. It came automatically when I wore the clothes.Īnyways, I get very affected by women’s situation all over the world, whether it’s about widows or anything else. When I got into that white dhoti, wore torn slippers and went to the ghats, it just used to happen. Like Vikas always says that in our houses and neighbourhood you see that they (widows) don’t go for weddings and don’t wear any colour. As a woman, how did you react to this world?
So, when I did scenes showing the life they lived, it started affecting my performance, both physically and emotionally.Īs you mentioned, you didn’t know a lot about these women and the restricted life that they were living. I didn’t know a lot about the child widows in Vrindavan and Varanasi. Neena: It is a very emotional story, and it’s written and directed emotionally.
How did you react to The Last Color when you first heard the script and what was it like to be in the world of The Last Color? But I was very clear about the release strategy because the number of jobs that you create when you release a film in theatres was the bigger priority for me. But the pandemic happened, and after that, I had no breathing space because of Feed India. The film was supposed to release on Holi this year.
0 kommentar(er)
